Decoding the New York Mayor's Sartorial Statement: What His Suit Reveals Regarding Contemporary Masculinity and a Shifting Culture.
Coming of age in the British capital during the 2000s, I was constantly surrounded by suits. You saw them on City financiers rushing through the financial district. They were worn by fathers in Hyde Park, kicking footballs in the evening light. At school, a inexpensive grey suit was our mandatory uniform. Traditionally, the suit has functioned as a uniform of seriousness, signaling power and performance—traits I was expected to aspire to to become a "man". Yet, until recently, my generation seemed to wear them less and less, and they had all but vanished from my consciousness.
Then came the newly elected New York City mayor, Zohran Mamdani. He was sworn in at a closed ceremony wearing a subdued black overcoat, crisp white shirt, and a notable silk tie. Propelled by an ingenious campaign, he captured the world's imagination unlike any recent mayoral candidate. Yet whether he was celebrating in a music venue or attending a film premiere, one thing remained largely unchanged: he was frequently in a suit. Loosely tailored, contemporary with unstructured lines, yet conventional, his is a typically middle-class millennial suit—that is, as typical as it can be for a generation that seldom chooses to wear one.
"This garment is in this weird position," says style commentator Derek Guy. "Its decline has been a gradual fade since the end of the Second World War," with the significant drop coming in the 1990s alongside "the advent of business casual."
"It's basically only worn in the strictest locations: weddings, memorials, and sometimes, court appearances," Guy states. "It's sort of like the kimono in Japan," in that it "fundamentally represents a tradition that has long retreated from everyday use." Numerous politicians "don this attire to say: 'I am a politician, you can have faith in me. You should vote for me. I have legitimacy.'" But while the suit has historically signaled this, today it enacts authority in the hope of gaining public confidence. As Guy clarifies: "Because we are also living in a liberal democracy, politicians want to seem approachable, because they're trying to get your votes." To a large extent, a suit is just a nuanced form of performance, in that it enacts manliness, authority and even proximity to power.
This analysis stayed with me. On the infrequent times I require a suit—for a ceremony or black-tie event—I retrieve the one I bought from a Japanese retailer a few years ago. When I first selected it, it made me feel refined and high-end, but its slim cut now feels passé. I imagine this sensation will be only too recognizable for numerous people in the diaspora whose parents originate in somewhere else, particularly developing countries.
Unsurprisingly, the everyday suit has lost fashion. Like a pair of jeans, a suit's silhouette goes through trends; a particular cut can therefore define an era—and feel quickly outdated. Consider the present: looser-fitting suits, reminiscent of a famous cinematic Armani in *American Gigolo*, might be trendy, but given the price, it can feel like a considerable investment for something likely to fall out of fashion within five years. But the attraction, at least in some quarters, persists: in the past year, department stores report suit sales rising more than 20% as customers "move away from the suit being everyday wear towards an appetite to invest in something special."
The Symbolism of a Mid-Market Suit
The mayor's go-to suit is from a contemporary brand, a European label that sells in a mid-market price bracket. "He is precisely a product of his upbringing," says Guy. "In his thirties, he's not poor but not exceptionally wealthy." To that end, his moderately-priced suit will appeal to the group most inclined to support him: people in their 30s and 40s, college graduates earning middle-class incomes, often frustrated by the cost of housing. It's exactly the kind of suit they might wear themselves. Not cheap but not lavish, Mamdani's suits arguably align with his proposed policies—such as a capping rents, building affordable homes, and free public buses.
"You could never imagine Donald Trump wearing Suitsupply; he's a Brioni person," observes Guy. "As an immensely wealthy and grew up in that New York real-estate world. A status symbol fits seamlessly with that tycoon class, just as more accessible brands fit naturally with Mamdani's constituency."
The legacy of suits in politics is extensive and rich: from a former president's "shocking" tan suit to other national figures and their suspiciously polished, tailored appearance. Like a certain British politician learned, the suit doesn't just clothe the politician; it has the potential to define them.
The Act of Banality and Protective Armor
Maybe the key is what one academic refers to the "enactment of banality", invoking the suit's long career as a uniform of political power. Mamdani's particular choice taps into a deliberate understatement, neither shabby nor showy—"respectability politics" in an inconspicuous suit—to help him appeal to as many voters as possible. But, some think Mamdani would be aware of the suit's military and colonial legacy: "The suit isn't apolitical; historians have long noted that its modern roots lie in military or colonial administration." It is also seen as a form of defensive shield: "It is argued that if you're a person of color, you aren't going to get taken as seriously in these white spaces." The suit becomes a way of signaling credibility, particularly to those who might doubt it.
Such sartorial "code-switching" is hardly a recent phenomenon. Even iconic figures previously donned three-piece suits during their formative years. Currently, other world leaders have begun swapping their typical military wear for a black suit, albeit one without the tie.
"Throughout the fabric of Mamdani's public persona, the tension between belonging and otherness is apparent."
The suit Mamdani selects is highly significant. "As a Muslim child of immigrants of Indian descent and a democratic socialist, he is under scrutiny to meet what many American voters look for as a sign of leadership," says one author, while simultaneously needing to navigate carefully by "avoiding the appearance of an establishment figure selling out his distinctive roots and values."
Yet there is an acute awareness of the double standards applied to who wears suits and what is interpreted from it. "That may come in part from Mamdani being a younger leader, skilled to adopt different personas to fit the occasion, but it may also be part of his diverse background, where adapting between languages, customs and clothing styles is typical," commentators note. "Some individuals can go unremarked," but when women and ethnic minorities "seek to gain the power that suits represent," they must carefully negotiate the expectations associated with them.
Throughout the presentation of Mamdani's public persona, the tension between somewhere and nowhere, insider and outsider, is evident. I know well the discomfort of trying to conform to something not designed with me in mind, be it an cultural expectation, the culture I was born into, or even a suit. What Mamdani's style decisions make evident, however, is that in politics, appearance is never without meaning.